Wolfgang Tillmans
Wolfgang Tillmans, Quarry, 2001. Courtesy: the artist and Galerie Chantal Crousel, Paris
Wolfgang Tillmans: Glade / Clairière at Galerie Chantal Crousel through October 10, 2026. Tillmans’s works are the result of meticulous compositions, in which every shift in scale and every condition of light contributes to the organization of the image. Situated at the threshold between the analogue and digital eras, his work addresses questions of collective perception and discernment.
Nadav Kander
Diver, Salt Lake, Utah, USA, 1997 (from the series God’s Country) © Nadav Kander. Courtesy Howard Greenberg & Flowers Gallery
Nadav Kander: The edge of things at Foam | Amsterdam. Solo exhibition traces the threads that connect his work: a deep concern with the fragility of human existence, the passage of time, and the quiet intensity of everyday life. September 18 – January 20. Curated by guest curator David Campany, Creative Director of ICP, in collaboration with the Foundation for the Exhibition of Photography (Minneapolis/Paris/Lausanne) and Foam.
Justine Kurland
Feminine Hygiene, 2000 courtesy of Justine Kurland
Justine Kurland: A Retrospective at OSMOS NYC September 18- November 21. The first survey exhibition of her work, spanning three decades. + Justine Kurland & Mariah Robertson – Antiphoto at Galerie Miranda in Paris through November 15.
Taryn Simon
Taryn Simon: Father Country I Do Love You September 18, 2026–March 14, 2027
Rinko Kawauchi, Untitled, 2004, from the series the eyes the ears
Courtesy the artist and Aperture
I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now at ICP 10/15 – 1/11 reframes the history of the medium through the work of twenty-eight intergenerational artists. Presented in partnership with Aperture in conjunction with the 2024 monograph, this exhibition is curated by the book’s editors, Pauline Vermare, Lesley A. Martin, and Takeuchi Mariko.
Tina Barney
Tina Barney: Fashion pub date October 6, 2026 from Aperture.
Blending personal history, family albums, and work made on assignment, this book offers a fresh take on a classic American photographer.
Part memoir, part career survey, the book begins with Barney’s family history and photographic albums. Brief texts by Barney guide the reader through her artistic development.
Carrie Mae Weems
Carrie Mae Weems‘ “The Cool Blue Wind” is now on view at the Obama Presidential Center. A photographic collage printed on silver and gold metallic paper accompanied by original music, the images in the collage reference Obama’s historic 2008 victory and the freedom found in the organized improvisational nature of jazz. The associated soundtrack centers on jazz, collective memory, and democratic participation. Image courtesy of Lamont Photographics.
Richard Avedon
Richard Avedon In the American West 1979-1984 at Fundación MAPFRE Madrid June 6 – August 30. PHotoESPAÑA
Robert Frank
Robert Frank and The Americans, opening May 29 at Espacio Fundación Telefónica in Madrid. Curated by David Campany.
Francesca Woodman
Francesca Woodman in her dorm room at Abbot Academy, Andover, MA, c. 1972-73. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Francesca Woodman: Lately I Find a Sliver of Mirror Is Simply to Slice an Eyelid at Gagosian, Rome. On view through July 31, 2026.
